Bruce Andrews (poet) and Sally Silvers (NYC modern dance) w/ Death Posture.

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Date(s) - 04/17/2018
8:00 pm - 9:30 pm

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The Death Posture re-emerges for a special performance with visiting NYC luminaries Bruce Andrews & Sally Silvers.

Death Posture: Donald Miller & Rob Cambre (guitars), Chris Robert (percussion), Emmalee Sutton (dance), PLUS: Sally Silvers (dance) & Bruce Andrews (poetry/spoken word).
Sally Silvers is a choreographer who has been making work since the 1980s. She has created over seventy works of dance, theater, and poetry. Silvers is Artistic Director of Sally Silvers & Dancers and has created performance projects with Bruce Andrews under the name BARKING. Silvers choreographed and co-directed the dance films Little Lieutenant (1993) and Mechanics of the Brain (1997) with filmmaker Henry Hills. Her 2001 Grants to Artists award supported performances of her dance work Storming Heaven (2000) at The Kitchen. Since her 2001 FCPA grant, Silvers has created Strike Me Lightning (2002), Spaced Out (2003), DREAMSDOCOMETRUE (2004), Yessified! (2009), Be SOMEBODY… Be ANYBODY! (2011), Bonobo Milkshake (2012), and Actual Size (2014).
Born in Chicago, Language poet and political scientist Bruce Andrews earned a BA and MA from the Johns Hopkins University, and a PhD from Harvard University. He moved to New York in 1975, where with Charles Bernstein he co-edited L=A=N=G=U=A=G=E magazine from 1978 to 1981.

Andrews’ language-centered writing (a term he coined with Ron Silliman in 1971) takes a modular approach to composition, shaking words and phrases free of their syntactical or narrative shells. As Andrews describes it, his process of composing poems was revolutionized with his acquisition of a paper-cutter, which he uses to create the small cards on which he continually records the “raw material” of words or clusters of words. He then stores these cards in boxes for months or years until, under the direction of a new project, he sifts and arranges the cards to create a new work. Through this process, Andrews sheds the original context of his words and is able to see them and arrange them as objects.

Andrews has published dozens of poetry collections including I Don’t Have Any Paper So Shut Up (Or, Social Romanticism) (1992) and Designated Heartbeat (2006) as well as several essay collections. Since the 1980s he has collaborated with choreographer Sally Silvers. In an interview with Dan Thomas-Glass for the Argotist Online, Andrews stated, “I think that writing, to get any social charge, needs to volatilize, needs to shake things up, needs to stir the beehive. So if you want to have a lullaby-like experience, and that’s your measure of pleasure, then the work I’m doing will seem off-puttingly difficult, but it is trying to be provocative and challenging, because that’s a) what I like as a reader and b) what I feel politically is required for readers to be in motion.”

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